laurelpaints

2010-08-05T07:24:00.000-07:00

Starting Thursday, September 16, 6 - 8pm, is my next class at E.W. Poore Art Center in Mancheser NH. A description follows. If you are interested or have any questions, please contact me by email , comment here, or contact the art center.

PAINTING SMALL - WATERCOLOR MINIATURES
held at E.W.Poore Art Center
531 Front St.
Manchester NH 03104
603-622-3802

Painting miniatures requires a distillation of techniques to create an affecting and fascinating piece of art. Learn how to create miniature landscapes, still lifes, portraits and botanicals in watercolor, choose subject matter and composition for the best effect, use materials and tools best suited to this genre, how to mount or frame miniatures appropriately, and how to use archival materials to protect them.
Creating miniatures is a very fun way to learn all the basics of handling watercolor: color mixing, composition, value, and brushwork. Students should be able to complete and frame a small painting about every other class.
Miniatures make unique, personal and charming gifts. This is a great class to take before the holidays, enjoy yourself, relax, learn something new, and check off your shopping list as you paint.
A kit of materials specific to framing miniatures will be provided by the instructor for your first miniature masterpiece, subsequent materials will need to be purchased and will be available from the instructor or E.W. Poore, depending on how you want to display your work. Many alternatives will be demonstrated and discussed.

Students need to bring the following to class:
140# Cold Pressed watercolor paper, pencil, white plastic eraser, water container, palette, a range of artist, not student, quality, transparent watercolor paints to include but not limited to -French Ultramarine Blue, Burnt Sienna, Permanent Alizarin Crimson, a transparent yellow, Sap Green, and good quality synthetic brushes 0,2 and 4 rounds.

This is a 12 week class - tuition is $180

To register call E.W. Poore's at 603-622-3802 or email me at lwjamieson@myfairpoint.net

2010-08-05T05:43:00.000-07:00

Scotland, especially the Isle of Skye, in the inner Hebrides, off the west coast, is a phenominally inspiring place to paint, regardless of your favorite medium. The weather changes every few minutes and can be extreme. It is challenging to paint plein air on the island due to this, but is worth a try. The coastline is dramatic, mostly high cliffs down to rocky beaches. There is one tidal island that is my favorite, Oronsay. It has a stone arch, sheep, cliffs meadows and spectacular views to the rest of Skye. Check the tide tables before you set off. I always carry my camera with me, a digital, with a large screen on the back, so that if my painting is interrupted I work on it back at the house. We have been renting houses on Skye for several years and our criteria for choosing is the following: fireplace or woodstove (it can be rather wet and chilly on the island), a shower, not a tub, and a view. This time we looked out on Loch Dunvegan, a sea loch, the Cuillins in the distance and MacLeod's tables. Wildlife is abundant, we had resident rabbits and sheep, a sea eagle off the cliffs in front of the house, songbirds, highland cattle down the road and much more. Due to it's high latitude, it doesn't really get totally dark in July. This gives some beautifully colored false dawn and twilights. The picture above is my interpretation of midnight.

2010-06-23T06:16:00.000-07:00

School ended yesterday, so now I'm free to paint everyday, all day if I want. I will be going to the Isle of Skye in Scotland soon, to hillwalk and paint. The scenery there is varied and wild. I intend to use the "Painting on the Edge" technique, plein air. I find it lends itself to plein air painting because if the weather changes rapidly, which it does with regularity on Skye, an entire painting is not interrupted, only one small segment. With camera back-up, that can easily be taken care of and the remainder of the painting done after the rain squall passes. Painting fog is a subject I hope to practice rendering in watercolor, it occurs often on Skye, especially in the morning. Please check to see photos of Skye and my paintings in August. Have a great summer.

New Workshop Date

2010-03-28T05:33:00.000-07:00

Next class at The Sharon Art Center is scheduled for June 5, 2010. The subject is Painting Nature in Watercolor. It is a workshop version of the longer class that is offered at E.W. Poore in Manchester (details in previous blog). We will be concentrating on the form, colors and textures of fruits and vegetables, using traditional watercolor techniques to render unconventional botanical subjects and compositions. A fun way to sharpen your skills and use your creativity. To register call the Sharon Arts Center, which is located near Peterborough, NH, 603-924-7256 or email them at www.sharonarts.org.

2010-03-19T15:50:00.000-07:00

My painting of the bridge at Sligachan, Isle of Skye, Scotland, which appears at the top of the previous blog, has been chosen for the cover of the program for the Indoor Highland Games, to be held in Concord NH at the NH Technical Institute on April 10, 2010. Although in the past this has primarily been a music (bagpipes) and highland dancing event, the promoters want to bring more of the community at large into this venue, especially any related arts. I'll be there exhibiting, signing programs , and hopefully selling my art work that Saturday. The painting above is of Glencoe, in the Scottish highlands, from my last visit.

Upcoming class:

PAINTING NATURE IN WATERCOLOR
Learn to capture a myriad of wildlife, plants and natural objects in watercolor. Practical exercises and techniques will be taught for interpreting textures, colors and forms found in nature. Discover how to bring detail and definition into your watercolor paintings.
Starts April 15
10 weeks Thursdays 6pm - 8pm $150
(no class on April 29 or May 6)

To register, call E.W. Poore Art Studio, 531 Front Street, Manchesetr NH,03102
(603) 622-3802

Painting on the Edge Results

2010-02-28T07:38:00.000-08:00

It's been awhile since the last post. We are now in the 8th week of the 10 week class I am teaching, called Painting on the Edge. This technique was used by Winslow Homer and Tony Foster. It uses very fine paper dams to separate elements of the composition along with small washes that build up to give depth and definition. A limited palette is used which ties all the elements together. For a beginning painter it is more manageable and less daunting to do a larger painting this way, working in one small area after another, no overall washes. It also works well for plein air because you can work more leisurely, since you are working in small areas and not racing to finish a wash before part of it dries out. If you are an impatient painter and tend to muddy your work by not letting washes dry before going back in again, this helps to eliminate that problem by letting you work on descrete parts of the same painting while other portions dry. This has been a challenge for my students and they have been working out of their comfort zones in regard to size and complexity. They have grown in their skills and are having fun with it. This works well with subject matter inaddition to the landscape, as you can see by the photos of some of my work above.

Newest Palette Box

2009-10-20T13:48:00.000-07:00

This box was "designed by an artist (me) and made by artisans" in South Carolina. Their original box is intended to be used as a fly box for fishermen. They replaced the foam liner with Corian that is routed out and shaped to fit so perfectly it doesn't need to be glued in. The wood is cherry, very smoothly finished and a delight to handle.
In my experience there really isn't anything out there that is designed just for watercolor artists. Plein air pochades start off for oil painters and then are minimally modified for watercolor. The other aspect is one of aesthetics, the plein air pochades on the market have sharp exterior metal pieces and knobs sticking out of them, in addition to being made of plywood or some rather non-descript woods. A walnut pochade, that is considered top of the line, has many sharp metal edges unless it is housed in a very heavy walnut case.
I have used this little cherry paint box frequently as a plein air palette for the past month and it is fumble-free. Everything except the paper fits inside. The water well is small but adequate. Twelve pans are all I need to paint on the move, I prefer a limited palette anyway. There is room to store 2 folding brushes, a pencil, eraser, pencil sharpener, pipette, and a sponge. I also keep a small rag folded up inside the box. I am very pleased with this professionally made prototype. We are now working on a slightly larger one that will hold a watercolor block and has a tripod mount. Check back next month.

2009-08-17T08:34:00.000-07:00

And: Watercolor Miniatures

2009-08-17T08:15:00.001-07:00

Watercolor Miniatures: Learn how to create miniature landscapes in watercolor, choose subject matter and composition for the best effect, use materials and tools best suited to this genre, how to mount or frame miniatures appropriately, and how to use archival materials to protect them. Each student will have the opportunity to paint their own miniature and frame it by the end of the workshop. Held Nov. 7, 10 - 4, call the Sharon Arts Center, 603-924-7256 or go online to register at www.sharonarts.org. The Sharon Arts center is located in Sharon, NH, near Peterborough, NH.

Fall Class Offering: Watercolor Journaling

2009-08-17T07:50:00.000-07:00

This fall I will be teaching the following:

The Art of Watercolor Journaling: This series of classes will focus on developing observational and watercolor skills to record the world around us. Whether you are a beginner or an experienced artist, journaling provides a self-made reference of techniques and a judgement free place to practice. Journaling is "watercolor to go". Join us for a fun and rewarding class.
Starts September 17, 6 - 8 PM, for 12 weeks, $180. Call E.W. Poore, to register, 603-622-3802. The studio is located at 531 Front Street, Manchester, NH.

More than a Card, Less Than a Book 2

2009-08-17T06:58:00.000-07:00

Here is my second card/booklet, "A Day at the Beach". It is attached to a front and end cover that are separate from each other, and is a slightly heavier stock, so that it will stand on its own better than the Labastide-Murat booklet does. I rather like the more "book like" presentation of the first one, however, it is nice for display to have it stand up in a "Japanese screen" fashion. There are 6 panels on the front for the beach cross-section image and four on the back for a map of the area. The bottom image shows how all the art work was done on one sheet of watercolor paper so that it could be copied for printing in one scan. One scan makes the project affordable. I always have the printer add a "circle C" and a date after my name and title to give it copyright protection.

More Than a Card, Less Than a Book

2009-07-31T08:27:00.000-07:00

A year ago, I picked up an accordian fold book in France. It was small, 3 X 5 inches, and very affordably priced. One side was a sketch book of a trip and the other was the text explaining and identifying the pictures. It got me to thinking of alternatives to publishing a book versus just having images copied for cards. Here was a middle ground. The little book I purchased was hard bound and much more elaborate than what I went to work on. I have been working with a local printer, who does great scans and giclee prints for a reasonable price, and discussed what I wanted to do. I made a dummy copy, took the book I bought and together we problem solved. I didn't want to make a major investment, "print on demand" seemed the way to go.
To back up a little bit - I paint miniatures, having frames custom made would make them prohibitively expensive. I buy frames, either commercially made or remnants from a framer, remove the glass, trace it onto my watercolor paper and paint to size. This enables me to price my work reasonably, yet pay myself adequately for the work I do. My pieces are usually impulse purchases, Many artists think of the frame as an integral part of the art, the difference is that I start with the frame and paint it to fit, both size, style and color. I took the same approach to the booklet. The printer has limitations on size of single sheets of paper that can go through the printer. She gave me a sheet of this and I managed to lay out the entire booklet on one sheet, which meant one scan. The fewer the scans, the lower the cost. To reference the images on the reverse side, I used blackline drawings of the same images and the text was placed next to each one. This way the images were not spoiled by reference numbers or letters.
The finished booklet fits a 5X7 envelope, the back has a thumbnail sheet and it is presented in a glasine envelope.
This first book was a labor of love. It was a profile of the town and area that we visit every year in France. I had more than enough reference photos after going there for over ten years. It is now for sale in the Galerie Arbouge in LaBastide Murat, in English and in French. My next booklet is titled " A Day at the Beach" . Check this blog soon for pictures of it in process and finished.

Watercolor Travel Kits 4

2009-07-21T12:33:00.000-07:00

This is the largest and most elaborate of the boxes I've made so far. It measures 6 X 12 X 1.5 inches when closed. It comes unpainted with the handle, latches and sturdy hinges already on it. I purchased it from an online art supply company. It is referred to as an artist's tool box. It cost about $12. Again I used the basswood for dividers in addition to plastic half and whole pans for the paint. A 5X 7 watercolor block fits inside. The interior is painted with gloss white acrylic. I used the "Liquid Fusion" glue again. The water dish is a baby food container. It has a tightly fitting lid and holds the smaller items quite neatly while traveling. The big difference between this box and the previous ones is that it attaches to my tripods. I purchased a threaded socket from a local hardware store, the old-fashioned kind of store where they have thousands of little bins and little brown envelopes to contain just the number of things you need, not prepackaged bags of no less than a dozen. I reinforced the bottom by glueing a small block of wood to the inside. When that had set I drilled a 1/4 inch hole, pounded the socket into the hole from the outside, as far as it would go.
Quick release mounts for tripods are all very different, however, the screw on them that attaches it to the camera is 1/4 inch diameter. So, once you have the socket in place on the palette box, it can accept any tripod quick release mount and fit onto the mount's matching tripod. I have a table height tripod and a heavier, full height, tripod. This box accepts either mount so I can paint plein air standing up or sitting down. When traveling, a light source isn't always near a comfortable table, this solves the problem. The table height tripod is small and light weight as well, making it a great travel companion.

Watercolor Travel Kits 3

2009-07-21T12:28:00.000-07:00

This little box is a gift card container. The lid is separate, not hinged. I spray painted the interior of the lid with the same enamel that I used for the cigarette box. Instead of constructing compartments for paints, I glued in plastic half pans. I also put in a water reservoir brush and used two plastic full pans for water containers. Very small, very light, very portable. I added a water reservoir brush to this kit in addition to a folding brush. It's very handy for sketching on the move.

Watercolor Travel Kits 2

2009-07-21T12:12:00.000-07:00

As you can see this is a very small vintage box. It was a cigarette case. The body is pewter or steel and the top is inlaid with tooled leather. It is slightly curved, to fit better in a pocket I suppose. The nice thing about the curve is that it fits very nicely in the palm of your hand when painting. I purchased a 12 X 12 inch sheet of the kind of steel used for duct work, metal shears, and JB Weld epoxy cement. I made a template out of heavy paper to fit the curve of the case, and traced it onto the metal for the pan divisions. This made the cutting of the sheet metal more accurate and less tedious. I used an ultra-fine permanent marker to trace the template onto the metal before cutting. When mixed, the epoxy is close to the consistency of peanut butter. With the partitions cut accurately, there was no problem with things needing support while the epoxy sets up. This is so small that I had to make the compartment for the brushes and pencil go diagonally across the box so it would be long enough to hold them. The interior is painted with an enamel meant for metal surfaces. As small as it is, there is still a water compartment and room to store an eraser and sharpener.

Watercolor Travel Kits I

2009-07-21T11:55:00.000-07:00

I travel a lot and I always take my paints and a journal with me. For years I have been on a quest to find the perfect travel kit for easy and comfortable painting. Recently I began to make my own out of cigar boxes, vintage cigarette cases, and the odd wooden box or tin. This is one of my favorites, overall it measures 7 X 8 X 1.25 inches. It holds a 5 X 7 watercolor block, 16 colors, a water dish, brushes, a pencil, sharpener and eraser, a sponge, and a cloth.
The divisions for the pans are made from basswood, purchased at a local craft store, the little water dish is from a kitchen store and the folding brushes are from a mail order art supply company. The box itself is from a local cigar shop and cost $2.00. I used "Liquid Fusion" glue instead of wood glue, it sets faster and is totally waterproof when dry. The interior is painted with gloss white acrylic paint.
Cigar boxes are light weight and often have dovetailed corners. Watch out for the hinges, sometimes they are just driven into the soft wood. The metal fatigues with use and they tend to break. I replaced these with tiny, brass hinges, that are held in place with very small screws. The hinges can be purchased at most hardware stores.

2009-07-19T08:29:00.000-07:00

Thank you for checking out my blog. I'm starting this to share my enthusiasm for watercolor painting, along with what I have learned that makes painting a satisfying activity, and those things that I continue to discover as I grow my craft.
I paint very small, 1/2 X 1 inch to 4 X 6 inches. I also do very large murals for my classroom, but nothing in between.
I teach fifth grade in a public school in Manchester and art to adults at several different places, both academic and casual. I'll be teaching a class on "Clouds, Rocks and Waves", at the NH Institute of Art, in Manchester, on August 15 and 16. You can register by calling the school, 603-623-0313. I will be posting more pictures and some "How to's..." in the near future.